![]() ![]() ![]() Reading the stories of Saunders’s first collection, CivilWarLand in Bad Decline, through the lens of postsecular literary theory and Saunders’s own comments on Catholicism, we suggest that Christianity, for Saunders, is a double-edged sword: crucial to his social critique of the power structures of post-industrial, postmodern life, and yet ultimately prone, in its institutionalized forms, to cooptation by those very same power structures. Drawing on what American short story writer and novelist George Saunders has described as the urge toward kindness in his work, as well as its myriad allusions to Christian symbology and religiosity, this paper explores the intersection of languages of labour or “work” and religious tensions in Saunders’ oeuvre. ![]()
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